List of bibliographic references indexed by Sixteenth century
Number of relevant bibliographic references: 78.
[0-50] [
0 - 20][
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50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000004 (2013) |
Peter Milward [Japon] | Book Reviews - |
| 000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
| 000007 (2012) |
Richard Wistreich [Royaume-Uni] | Musical materials and cultural spaces |
| 000011 (2011) |
Mattias Lundberg | The Proper of the Mass in Sixteenth- and Early-Seventeenth-Century Lutheran Liturgies and its Relationships with Other Types of De Tempore Cycle |
| 000013 (2011) |
João Pedro D Lvarenga ; Manuel Pedro Ferreira | The Liber Introitus of Miguel da Fonseca, and a Possible Improvisatory Model |
| 000015 (2011) |
Agnieszka Leszczy Ska | Polyphonic Mass Propers from the Braunsberg Jesuit Collegium and their Local Context |
| 000021 (2011) |
Anthony M. Cummings | Isaac, the Mass Proper, and the Motet |
| 000024 (2011) |
Barbara Eichner | Getting Proper-ly Started: Isaac’s Choralis Constantinus and the Introduction of Polyphonic Mass Propers in South-German Monasteries |
| 000027 (2011) |
Royston Gustavson | Commercialising the Choralis Constantinus: The Printing and Publishing of the First Edition |
| 000028 (2011) |
David J. Burn ; Stefan Gasch | Chant Adorned: The Polyphonic Mass Proper in the Later Middle Ages and Renaissance |
| 000030 (2011) |
Stefan Gasch | Beyond Munich: Senfl’s Propers in Prints and Manuscripts |
| 000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
| 000044 (2010) |
Flora Dennis [Royaume-Uni] | Scattered knives and dismembered song: cutlery, music and the rituals of dining |
| 000050 (2009) |
D. W. Krummel [États-Unis] | Music and the Book Trade, from the Sixteenth to the Twentieth Century. Ed. by Robin Myers, Michael Harris, and Giles Mandelbrote. |
| 000065 (2009) |
Eric Jas | Multivoiced Canons attributed to Josquin |
| 000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
| 000110 (2006) |
Hugh Benham | William Byrd’s Modal Practice. By John Harley. pp. xii + 162. (Ashgate, Aldershot and Burlington, Vt., 2005. £45. ISBN 0-7546-3441-8.) |
| 000112 (2006) |
Arnold Whittall [Royaume-Uni] | Treacherous Bonds and Laughing F ire: Politics and Religion in Wagner’s Ring. By Mark Berry. pp. xii + 287. (Ashgate, Aldershot and Burlington, Vt., 2006, £50. ISBN 0-7546-5356-0.) |
| 000167 (2004) |
| Book Reviews |
| 000169 (2004) |
Kerry Mccarthy | William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary |
| 000205 (2002) |
Christopher R. Wilson | Review: Italian Madrigals Englished (1590) |
| 000231 (2001) |
Miguel Ngel Marn | REVIEWS OF BOOKS |
| 000251 (2001) |
Noel O'Regan [Royaume-Uni] | HISTORIES OF RENAISSANCE MUSIC FOR A NEW CENTURY |
| 000273 (2000) |
Blake Wilson | REVIEWS OF BOOKS |
| 000280 (2000) |
Gary Schmidgall | Recordings in Review |
| 000285 (1999) |
Shai Burstyn | Pre-1600 Music Listening: A Methodological Approach |
| 000292 (1999) |
| REVIEWS OF BOOKS |
| 000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
| 000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
| 000340 (1996) |
Keith Mason ; George Sheppard ; John Kentleton ; Rebecca Earle ; Guy Thomson | The Americas |
| 000344 (1995) |
Hugh Benham | REVIEWS OF MUSIC |
| 000383 (1993) |
Elizabeth Sole | Blake Wilson, Music and merchants: the laudesi companies of republican Florence |
| 000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
| 000413 (1991) |
Margaret E. Cheney | BOOKS RECEIVED |
| 000435 (1989) |
Owain Tudor Edwards | How many Sarum Antiphonals were there in England and Wales in the middle of the Sixteenth Century? |
| 000452 (1988) |
Joseph Loewenstein | For a History of Literary Property: John Wolfe's Reformation |
| 000462 (1987) |
| REVIEWS OF BOOKS |
| 000471 (1986) |
Louise Schleiner | RECENT STUDIES IN POETRY AND MUSIC OF THE ENGLISH RENAISSANCE |
| 000483 (1984) |
Leeman L. Perkins | Reviews of Books |
| 000528 (1981) |
Craig Monson | Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources |
| 000563 (1979) |
| Book browsing |
| 000565 (1979) |
| A Panoply of Medieval, Renaissance: Instruments for and Baroque Music |
| 000581 (1978) |
Howard Mayer Brown | CHORAL MUSIC IN THE RENAISSANCE |
| 000628 (1974) |
Donald C. Gresch | MATTHEUS LE MAISTRE'S POLYPHONIC OFFICIA |
| 000640 (1973) |
Frank J. Fabry | Sidney's ‘Poetry and Italian Song‐Form |
| 000653 (1970) |
Gerald W. Spink | WALTER SCOTT'S MUSICAL ACQUAINTANCES |
| 000654 (1970) |
Thomas Harmon | THE PERFORMANCE OF MOZART'S CHURCH SONATAS |
| 000655 (1970) |
Charles W. Warren | THE MUSIC OF ROYAL APPENDIX 12–16 |
| 000656 (1970) |
Paul Doe | TALLIS'S ‘SPEM IN ALIUM’ AND THE ELIZABETHAN RESPOND-MOTET |
| 000658 (1970) |
R. W. | REVIEWS OF BOOKS |
| 000659 (1970) |
P. M. D. | REVIEWS OF BOOKS |
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